Lovercase Typefaces

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The motion picture industry convention assigns a value of 1.0 to the image’s height; an anamorphic frame (since 1970, 2.39:1) is often incorrectly described (rounded) as 2.40:1 or 2.40 (“two-four-oh”). After 1952, a number of aspect ratios were experimented with for anamorphic productions.
l’œuvre photographique de lászló moholy-nagi
Ein Computersystem besteht aus Hardware und Softwarekomponenten, die gemeinsam Informationen verarbeiten. Zur Hardware gehören Prozessoren, Speicher, Eingabegeräte und Netzwerktechnik, während die Software Programme und Betriebssysteme umfasst, die bestimmte Aufgaben ausführen. Moderne Computersysteme sind darauf ausgelegt, Daten effizient zu speichern, zu übertragen und zu analysieren. Das Verständnis von Computersystemen erfordert Kenntnisse aus Informatik, Elektrotechnik und logischer Problemlösung.
Transcendental Meditation (TM) is a form of silent, mantra meditation advocated by the Transcendental Meditation movement. Maharishi Mahesh Yogi created the technique in India in the mid-1950s. Advocates of TM claim that the technique promotes a state of relaxed awareness, stress relief, and access to higher states of consciousness, as well as physiological benefits such as reducing the risk of heart disease and high blood pressure. Building on the teachings of his instructor Guru Dev, the Maharishi taught thousands of people during a series of world tours from 1958 to 1965, expressing his teachings in spiritual and religious terms.
La sagesse est fille de l’expérience. La discipline est maîtresse des choses, et sans elle on ne peut bien rien apprendre. Celui qui pense peu se trompe peu, mais celui qui étudie beaucoup discerne beaucoup. L’esprit doit être exercé continuellement, comme le corps sans mouvement se corrompt. Il ne faut pas laisser l’oisiveté vaincre l’intelligence, car l’oisiveté est le père de tous les vices et la ruine de la vertu. Chacun doit ordonner sa vie selon une règle ferme et constante, afin que le temps ne soit pas perdu sans fruit.
The Invisible Man
Eastern European
Symphonic Mood No.1
La disciplina è spesso considerata una delle qualità più importanti per il successo personale e professionale, perché permette di mantenere concentrazione e continuità anche nei momenti di difficoltà. Una persona disciplinata non agisce soltanto in base all’entusiasmo del momento, ma sviluppa abitudini solide che guidano le sue azioni nel lungo periodo. Questo richiede organizzazione, autocontrollo e la capacità di stabilire priorità chiare. Nello studio, la disciplina aiuta ad affrontare argomenti complessi con pazienza e metodo, rendendo possibile un apprendimento più profondo e duraturo. Nel lavoro, consente di rispettare scadenze, migliorare la qualità dei risultati e affrontare responsabilità sempre maggiori con affidabilità. Anche nello sport e nelle attività artistiche, la pratica costante resa possibile dalla disciplina è spesso più determinante del talento naturale. Molti risultati importanti nascono infatti da piccoli progressi quotidiani accumulati nel tempo. La disciplina richiede inoltre la capacità di resistere alle distrazioni e di continuare a impegnarsi anche quando la motivazione diminuisce o i risultati tardano ad arrivare. Per questo motivo viene associata alla maturità e alla forza di carattere, poiché implica la volontà di sacrificare il piacere immediato in favore di obiettivi più grandi e duraturi. Sebbene possa sembrare rigida o limitante, la disciplina offre in realtà maggiore libertà.
A demanding perfectionist, Kubrick assumed control over most aspects of the filmmaking process, from direction and writing to editing, and took painstaking care with researching his films and staging scenes, working in close coordination with his actors and other collaborators. He often asked for several dozen retakes of the same scene in a movie, which resulted in many conflicts with his casts. Despite the resulting notoriety among actors, many of Kubrick’s films broke new ground in cinematography. The scientific realism and innovative special effects of 2001: A Space Odyssey (1968) were without precedent in the history of cinema, and the film earned him his only personal Oscar, for Best Visual Effects. Steven Spielberg has referred to the film as his generation’s “big bang”, and it is regarded as one of the greatest films ever made. For the 18th-century period film Barry Lyndon (1975), Kubrick obtained lenses developed by Zeiss for NASA, to film scenes under natural candlelight. With The Shining (1980), he became one of the first directors to make use of a Steadicam for stabilized and fluid tracking shots. While many of Kubrick’s films were controversial and initially received mixed reviews upon release—particularly A Clockwork Orange (1971), which Kubrick pulled from circulation in the UK following a mass media frenzy—most were nominated for Oscars, Golden Globes, or BAFTA Awards, and underwent critical reevaluations. His last film, Eyes Wide Shut, was completed shortly before his death in 1999 at the age of 70.

Selected Stylistic Sets

ss01 Slab Serif I
ILLUSIONS
ss02 Large Curved J
JUMANJI
ss03 Diagonal Tailed Q
LIQUID QUARTZ
ss04 Asymmetrical U
UBIQUITY
ss05 Single Story a
avalanche
ss06 Cursiv Bottom l
olympic medal
ss07 Symmetrical u
alumni student
ss08 Tubular Bottom y
yellow daylight
ss09 Tubular Top ?
¿alguna pregunta?
ss10 Classic Ampersand
Monsters & Co.
Chargement...

Variable Font

Rigora Variable

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Rigora is a timeless typeface rooted in rational modernism. Its design draws from the iconic neo-grotesque genre of the second half of the 20th century, and distinguished by subtle humanist undertones. Grounded in meticulous studies, comparative analyses, and firsthand examination of original materials from the Museum für Gestaltung in Zürich, Rigora seeks to preserve the essential qualities of its source while extending its possibilities. Circular forms were carefully refined to retain the vintage warmth of the original design, while reduced contrast in the Regular weights reinforces a clear, monolinear texture. The typeface expands on this foundation through alternate characters, titling variants, and newly designed glyphs that broaden its functional range without compromising its heritage.

Loose spacing enhances legibility at small sizes, while aligned open terminals (C, G, S, 2, 3…) reinforce a consistent visual rhythm throughout the character set. Tubular endings on letters (f, j, t…) reference industrial design language, while wide diagonal apertures (A, N, M…) introduce a sharper, more forward-looking tone. Contextual alternates — including a distinct serif capital I — improve readability and reduce ambiguity, while characteristic glyphs (G, R, Q…) preserve the identity of the original model. Rigora also features a custom ligature system spanning initial, medial, and final forms like an oriental writing system. Inspired by transport and logistics identities, these ligatures metaphorically embed the road within the letter connections themselves, evoking continuity, motion, and infrastructural flow.

Open Type Features

locl
Localized Forms
ccmp
Glyph De/composition Substitution
lnum
Lining Figures
pnum
Proportional Figures
tnum
Tabular Figures
onum
Oldstyle Figures
subs
Subscripts
sups
Superscripts
sinf
Scientific Inferiors
dnom
Denominators
numr
Numerators
ordn
Ordinals
frac
Fractions
cpsp
Capital Spacing
case
Case Sensitive Forms
calt
Contextual Alternates
liga
Ligatures
dlig
Discretionary Ligatures
titl
Titling Alternates
aalt
Access All Alternates
ss01
Slab Serif I
ss02
Large Curved J
ss03
Diagonal Tailed Q
ss04
Asymmetrical U
ss05
Single Story a
ss06
Cursiv bottom l
ss07
Symmetrical u
ss08
Tubular Bottom y
ss09
Tubular Top ?
ss10
Classic Ampersand
ss11
White Circled Figures
ss12
Black Circled Figures
ss13
Keyboard Arrows
ss14
Titling Umlauts
ss15
Slashed Zero
ss16
Tabular Punctuation
ss17
White Heart
ss18
Black Heart
ss19
Small Registered
ss20
Lowercase Math Operators

Credits

Design
Arnaud Chemin
Production
Arnaud Chemin
Kerning
Arnaud Chemin
Quality Assurance
Arnaud Chemin
Mastering
Arnaud Chemin
Support
Latin Extended
Glyphs
925
Publication
2026
Version
1.0
Genre
Neo Grotesk
Awards
None

Supported Languages

Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish (Latin), Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, RotokasSami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Vietnamese, Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

Sources

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